
I'm happy to begin our series of guest interviews today with Rachel Hazell from Edinburgh, Scotland. Rachel is a paper + book artist and she leads workshops around the world in amazing locations - including palazzos in Venice to lighthouses in Shetland to exploring Paris! She also makes gorgeous, unique paper sculptures and you can see her commissions gallery here.
Rachel is also creator of the unique PaperLove e-course - starting on March 23rd!
Hi there Rachel and welcome to Creative Spring! Please tell us a bit about yourself, your background, and how you got started with your creative work.
Hello Stephanie, Thank you for reaching out and linking up! Books were the start of it…reading in bed, under the covers after lights out, being read to, visiting the library…I was torn between art college and university. In the end I did both, studying literature at Edinburgh which has been home for twenty-five years. Being drawn to words, repetition, precision and narrative makes me a natural bookbinder.

In 2014 you began offering a beautiful new e-course called PaperLove. Please share more about your lovely e-course.
Teaching is my passion. I am driven to inspire people to develop their own creativity through paper because it is such an accessible medium. And books make such safe, beautiful containers for our stories. In 2012 I taught a different workshop every month all round the world, from Napa Valley to Paris (aka The Travelling Bookbinder.) It was brilliant but exhausting. Realising that there is a limit to the number of people I can teach face-to-face forced me to seek a better way.
Amazing digital entrepreneur Beth Kempton invited me to teach at her Do What You Love retreat…and as stationery is one of her indulgences (we vie with our washi-tape collections) this led to collaborating on PaperLove. This online course enables anyone to join in, you don’t need specialist materials, and it’s packed with projects, links, interviews and ideas. If we’d met before I’d written it Stephanie, you would be included! For me, the best thing about PaperLove is seeing the private facebook group develop and strengthen, initiating new projects and supporting each other long after the class has ended – an International community of PaperLovers!

You lead creative retreats around the world that sound incredible! Please tell us more about some of your favorite places to lead workshops and how we can take part.
Travelling and learning is a powerful combination. New skills and techniques enable you to document your unique journey. Bookart gives a great focus for collecting discoveries, writing mementoes, collaging found papers and really engaging with a place. Responding to extraordinary surroundings – drawing the shells collected from the beach below the lighthouse, finding vintage labels in the flea market, selecting marbled papers from a Venetian artisan all contribute to creating a truly memorable trip. Precious one-to-one time and very limited numbers allow me to craft bespoke itineraries.
Venice and Paris are my top favourites: Every course builds on the last. Know where to get the best gelato as well as the best ink… Visiting local artisans, special collections, boutiques, paper shops. Each year the retreat grows and changes according to its participants. Ask questions and book in at http://www.rachelhazell.com/product-category/workshops

I think it's fascinating how you work with paper as a sculptural material, and you've made large scale commissioned work. Could you please explain more about your work process and why you choose to create with paper? Also - any tips on how to get commissions as an artist?
The many qualities of paper continue to amaze me! Fold, rip, pleat, pierce, roll it. Cover with ink, write spiky lines with graphite, paint delicate watercolour petals, melt wax. The Masters course in Bookart at Camberwell enabled me to experiment with form, mostly small scale, books to fit in boxes. Soon after, I was commissioned by Helen Storey to make a two-metre high book. This was an incredible opportunity to explore scale.
A few years later, in Antarctica on an art residency, the towering ice installations looked like paper (The edges of an ice library, a crevasse field of shadowy runes on a page etc.) which I dream of progressing further, bigger… When the Owl and Lion bindery in Edinburgh had a gallery, I exhibited work titled “The Walk-In Iceberg and Other Stories” which had a floor to ceiling pleated paper ice cliff. For the Edinburgh International Book Festival’s 21st birthday, I was commissioned to make an interactive sculpture where people left messages and drew about their love of books.
How to get commissions? The same as how you get any work: Smiling, positive persistence! Don’t dwell on knock-backs (ha – remind me of that next time I get rejected.) It’s the same with any job application; statistically you’re not going to get all of them. Keep submitting – it’s all useful learning. Filling in forms and updating your CV reminds us what we have done. Getting better at expressing our higher/deeper purpose is what’s important.

How you feel that your blog, website, Facebook, Instagram and other social media have contributed to your success as an artist?
Social media makes the world smaller. Without it, I would find keeping in touch with Antarctic buddies and other far flung friends harder. It is a great way to make new connections – we were introduced through Facebook weren’t we Stephanie?! (Though I dearly hope we’ll meet and swap tales and rip up colours for collage one day.)
Social media stimulates and makes it easier to share links. Similarly the PaperLove e-course sends you down rabbit holes which I may not have found without a daily renewal of announcements. I’ve mentioned the physical impossibility of teaching enough in-person workshops – I want to fire up more people to create with paper and tell their stories through bookart.
Instagram is full of beauty – that’s my regular gallery fix. I love framing a moment, posting the image out onto the web and starting conversations. Swing by @paperhazell and join in!

I'm excited about the coming of spring, aren't you? I'd love to hear about a few of your favorite springtime things - and anything that is particular to spring where you live.
The best thing about spring is light! I’m delighted that the days are getting longer. Everyone seems to smile more and unfurl. Light most of the Scottish population I am Vitamin D deficient. On the Island of Iona, where I live for part of the year, the skylarks are singing and fluttering high in the sky – pure joy.
Do you celebrate any festivals or special days during spring - Easter, spring equinox, St. Patrick's Day, Passover, etc.? If so, please tell us more about your festive traditions.
Danny P, a good chum, initiated a new Easter tradition at his house. Instead of decorating an egg and rolling it down a hill, we had to construct a paper boat that would carry the egg across a loch. I made an origami vessel which remained water-tight but didn’t win the race….

You seem so productive! How do you balance your personal/family life with your creative and professional work?
Hhmm not sure how qualified I am to talk about work/life balance! Being so excited and driven by what I do makes it hard to switch off. My whole life revolves around books, paper, writing, reading, learning and teaching. Self-employment is a double-edged choice.
Although I don’t have a telly, films are brilliant for total immersion in elsewhere. Edinburgh has a fabulous independent cinema http://www.dominioncinemas.net, with comfy sofas and waiter service. I hearby vow to you to go to the cinema more!
Lucky to have a partner who is unconventional too www.ionahostel.co.uk – our days on Iona have a different rhythm, involving a beach walk morning and evening.

Do you have a "typical" workday? We'd love to hear more about how you organize your daily schedule.
Rise early, stretch, meditate, look at the things-to-do list. Decide, with varying degrees of success, what’s important. Lose an hour checking e-mails, catching up on Facebook and what I’ve missed overnight on Instagram. Then, ideally, make, make, make! With the radio on – BBC Radio 4, taking photographs of the process, stopping for little-sit-downs with tea, to read an article or make notes.
Stockbridge, Edinburgh is a neighbourhood of cafes, charity shops and a gem of a book shop The Golden Hare. I never tire of walking along Georgian streets on the way to the Post Office! The Botanical Gardens are close – a real oasis with the best beech hedge.
If I’m writing, there’s a habit from student days – noting down when I start and when I stop, sometimes in fifteen minute bursts. This keeps me focussed. The app Freedom, which blocks internet access, is very helpful when willpower is not quite enough…
Iona Man is very good at keeping ‘work’ hours, and knocking off for a six o’clock drink.
Do artists have ‘typical’ work days?!

Is there anything special you do to nurture and inspire yourself, stay creative, to take care of your body and soul, and prevent burnout?
Timber House on Skye is where I go on retreat, to regroup and pretend that living in a minimal house is ‘normal’! http://www.rachelhazell.com/books/at-timber-house-the-isle-of-skye
I’m currently really into the wonderful Nutribullet for whizzing up power-packed green smoothies every morning.
Every year I try to take time out for a course or two. This year started with a Tutor Development Course at Arvon. Last summer in Sweden, at Leksand, Cristina D’Aramengo Balbiano taught a hard-core precision sampler workshop which was brilliant! And Monica Dengo has completely changed my perception of calligraphy with her gestural mark-making courses in Arezzo and Venice.
Burnout is a touchy subject, as this last year has been marred by illness – undiagnosed shoulder pain and fatigue. Thankfully on the up now, it has been a cautionary lesson in priorities, acceptance and compassion.

Do you have any favorite books, magazines, websites, or other inspirational resources that you'd like to recommend for us?
The Journal of Dora Damage by Belinda Starling, and The Floating Book by Michelle Lovric are two of the best ‘books about books’ that I adore.
Flow magazine – on paper and online
Uppercase
Instagram (see who I’m following and see if you fancy keeping in touch with them too @paperhazell)
Brain Pickings and Colossal for thoughtful philosophy and mind-blowing possibilities.
If you could give one piece of advice to someone who would like to follow her personal creative dreams but is feeling scared, what would it be?
Be creative in small, manageable, deliberate ways: Notice things. Collect and gather what you love, whether words in a notebook or coloured bottle tops or ink drawings of grasses…. There are so many ways to live creatively, unconventionally. Don’t be swayed by other people’s shouting. Share your dreams with a friend, and encourage them to develop their hopes too. DO keep making. Join communities! Sign up for Stephanie’s e-courses!

- And Rachel's e-course too of course! ;)
Rachel, what are your own personal top 5 creative dreams for the future?
- Teaching at Squam.
- Producing a ‘proper’ book…. “Notes from The Travelling Bookbinder” is the working title.
- Collaborating with Flow magazine on a bookart and mindfulness workshop in Amsterdam.
- Creating a BookLove e-course.
- Being commissioned to produce an exhibition of enormous paper sculptures.
Thank you for asking such interesting questions – I have enjoyed reflecting on the answers! Best and bookiest, Rachel
Thank YOU Rachel for taking the time to share more about your work, classes, retreats, and many interesting creative projects! I hope I'll be able to join you for a workshop in a beautiful location one day myself :) xo
Don't miss this: PaperLove starts March 23rd! www.rachelhazell.com/ecourse
See Rachel's beautiful new website, blog + portfolio here: http://www.rachelhazell.com
Connect with Rachel on:
Instagram
Facebook
Twitter
Pinterest
Vimeo (nice videos of Rachel here + listen to that gorgeous Scottish accent she has!)
